Norman Rockwell Museum

 

Hours

Norman Rockwell Museum is Open 7 days a week year-round

May – October and holidays:

open daily: 10 a.m. – 5 p.m.
Thursdays: 10 a.m. - 7 p.m. (July/August 2015)
Rockwell’s Studio open May through October.

November – April: open daily:

Weekdays: 10 a.m. to 4 p.m.
Weekends and holidays: 10 a.m. to 5 p.m.

Holiday Closings:

The Museum is Closed Thanksgiving Day, Christmas Day and New Year’s Day

 

 

 

Admission

Members: FREE
Adults: $18.00
Seniors (65+): $17.00
College students with ID: $10.00
Children/teens 6 — 18: $6.00
Children 5 and under: FREE

Official Museum Website

www.nrm.org

 

 

 

Directions

Norman Rockwell Museum
9 Route 183
Stockbridge, MA 01262

413-298-4100 x 221

The Smithsonian American Art Museum has awarded the Charles C. Eldredge Prize for Distinguished Scholarship in American Art to Michael Lobel for his book John Sloan: Drawing on Illustration (Yale University Press, 2014). The jurors cited the meticulous research and exceptionally high quality of prose of the book. Sloan’s early work in illustration has frequently been treated as a precursor to his mature career as a painter or printmaker, but Lobel restores the intellectual and visual seriousness to these works that the artist intended.

The three jurors who awarded the $3,000 prize were Gwendolyn DuBois Shaw, associate professor of American art at the University of Pennsylvania; Jessica May, chief curator at the Portland Museum of Art, Maine; and Kevin Murphy, Eugénie Prendergast Curator of American Art at the Williams College Museum of Art.

DrawingOnIllustrationThe jurors wrote: “Drawing on Illustration provides a radical rethinking of Sloan’s career by demonstrating the artist’s consummate skill in blending image, idea and technique. In so doing, Lobel substantively shifts our understanding of the art history of early 20th-century America. He shows that far from simply picturing the city and metropolitan lives, Sloan contributed to the construction of urban visual culture, disseminating his work far and wide. It is a timely book that could not have been written any number of years ago; it belongs to now with its attention to dramatic technological change, to the unsteady relationship between culture and politics, to the circulation of images through mass media, and to shifting hierarchies of value. The book is a call to action: Many of Sloan’s Ashcan peers and contemporaries could be looked at productively through the lens that Lobel provides.”

About Dr. Michael Lobel

Lobel is professor of art history at Hunter College in New York City. He has written several books, including Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art (Yale University Press, 2002) and James Rosenquist: Pop Art, Politics and History in the 1960s (University of California Press, 2009) and has contributed numerous essays for exhibition catalogs and articles for such publications as Art Journal, Artforum, Art in America and Art Bulletin. He has received grants and fellowships from the Getty Research Institute, the Henry Luce Foundation/American Council of Learned Societies and the Terra Foundation for American Art. Lobel is a member of the board of directors of the Roy Lichtenstein Foundation, and he currently is working with the Whitney Museum of American Art on programming designed to teach the public how to look at art. He will present the annual Eldredge Prize lecture, which is free and open to the public, Thursday, Oct. 27, at 4 p.m. in the museum’s McEvoy Auditorium.

Dr. Lobel is a 2011 Rockwell Center for American Visual Studies Scholar. The topic of his work was “Becoming an Artist: John Sloan, the Ashcan School, and Popular Illustration.” Dr. Lobel’s essay “Are We All Illustrators Now?,” which was derived from his work as a Rockwell Center Scholar was posted by Yale University Press on May 15, 2014 and later on the Rockwell Center website on May 29, 2014.

About the Rockwell Center for American Visual Studies
The Rockwell Center for American Visual Studies brings new scholarly attention and resources to the art of illustration, a profoundly influential aspect of American visual culture. Through online research tools and collections access, scholarship, and spurring the collection and preservation of important artworks, the Rockwell Center establishes a context for understanding the role of illustration art in shaping and reflecting American culture.
The Rockwell Center houses four programs:

Illustration Partnership Network
The Rockwell Center’s fosters partnership and collaboration with museums, universities, libraries and archives with significant collections and focus on American illustration arts, forming a national network of institutions dedicated to presentation, preservation and scholarship of visual communication art. This network invites discourse and provides scholars with access to the nation’s richest holdings of illustration collections and publishing.

The Rockwell Center adds a new scholarly field to a national consortium of art history research centers located at museums who form the Association of Research Institutes in Art History (ARIAH), a distinguished association of research institutes at our nation’s most prestigious museums.

Norman Rockwell Archives and ProjectNORMAN
ProjectNORMAN (New Online Rockwell Media Art and Archive Network), a ten-year, comprehensive online publishing project to preserve, catalogue, computerize and digitize its collection of original artworks, and over 150,000 archival objects, making them accessible to researchers, was begun in 2003.

Illustration Art Collection
The Norman Rockwell Museum has begun to expand its collections beyond Norman Rockwell to build a collection of art of other illustrators. Norman Rockwell Museum is one of the nation’s premiere collections for this significant aspect of material culture and visual communication.

Rockwell Scholars Program
The Center supports research in the field of American illustration and visual studies. Scholars, graduate students, and museum professionals are invited to apply for Rockwell Scholars’ fellowships. Working with art, library, and studio collections at the Norman Rockwell Museum and the Rockwell Center’s nationwide members’ museums and illustration collections, scholars will study the relationship of illustration art to popular culture, social history, mass media, formal art history and other disciplines.

About the Eldredge Prize
The Eldredge Prize, named in honor of the former director of the museum (1982–1988), is sponsored by the American Art Forum, a patrons’ support organization. This annual award, initiated in 1989, recognizes originality and thoroughness of research, excellence of writing and clarity of method. Single-author, book-length publications in the field of American art history appearing within the three previous calendar years are eligible. Dec. 1 is the deadline for next year’s nominations.

Recent Eldredge Prize recipients include Amy Lyford (2015) for her book Isamu Noguchi’s Modernism: Negotiating Race, Labor, and Nation, 1930–1950 and Wendy Bellion (2014) for her book Citizen Spectator: Art, Illusion, and Visual Perception in Early National America. A complete list of past winners is available online at americanart.si.edu/research/awards/eldredge/winners.

By | 2016-11-14T10:19:04+00:00 April 22nd, 2016|News, Rockwell Center Fellowships|0 Comments

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